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                <text>Persian is one of the great lingua francas of world history. Yet despite its recognition as a shared language across the Islamic world and beyond, its scope, impact, and mechanisms remain underexplored. A world historical inquiry into pre-modern cosmopolitanism, The Persianate World traces the reach and limits of Persian as a Eurasian language in a comprehensive survey of its geographical, literary, and social frontiers. From Siberia to Southeast Asia, and between London and Beijing, this book shows how Persian gained, maintained, and finally surrendered its status to imperial and vernacular competitors. Fourteen essays trace Persian’s interactions with Bengali, Chinese, Turkic, Punjabi, and other languages to identify the forces that extended “Persographia,” the domain of written Persian. Spanning the ages of expansion and contraction, The Persianate World offers a critical survey of both the supports and constraints of one of history’s key languages of global exchange.  “This groundbreaking collection illuminates the multifaceted and very complex history of the rise and decline of the Persian language as a lingua franca.” AHMAD KARIMI-HAKKAK, author of Recasting Persian Poetry  “With erudition and refinement, this book accomplishes something remarkable—it provides a timely corrective to an anachronistic understanding of the Persianate sphere as an empire of letters centred on Iran.” PAOLO SARTORI, author of Visions of Justice  “An exceptionally important contribution to our understanding of what constituted the Persianate world.” ANDREW PEACOCK, University of St. Andrews  NILE GREEN holds the Ibn Khaldun Endowed Chair in World History at the University of California, Los Angeles. He is the author of Sufism: A Global History and Terrains of Exchange: Religious Economies of Global Islam and editor of Afghanistan’s Islam: From Conversion to the Taliban.</text>
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                <text>Addressing the history of the production and reception of the great medieval poem, Piers Plowman, Lawrence Warner reveals the many ways in which scholars, editors and critics over the centuries created their own speculative narratives about the poem, which gradually came to be regarded as factually true. Warner begins by considering the possibility that Langland wrote a romance about a werewolf and bear-suited lovers, and he goes on to explore the methods of the poem's localization, and medieval readers' particular interest in its Latinity. Warner shows that the 'Protestant Piers' was a reaction against the poem's oral mode of transmission, reveals the extensive eighteenth-century textual scholarship on the poem by figures including the maligned Chaucer editor John Urry, and contextualizes its first modernization by a literary forger inspired by the 1790s Shakespeare controversies. This lively account of Piers Plowman challenges the way the poem has traditionally been read and understood. This title was made Open Access by libraries from around the world through Knowledge Unlatched</text>
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                <text>This book examines the role of Persian literature in politics in the tumultuous period of Iranian history from 1950 to 2000, illustrating how intellectuals used poetry, plays, novels and short stories to comment on socio-political developments. The unique aspect of the book is its strong empirical perspective as it analyses how Persian intellectuals dealt with sensor, suppression, imprisonment, exile and even execution for the sake of expression of free speech. Karimi-Hakkak’s methodology is also unique as he applies theoretical perspectives of various disciplines to produce a multi-faceted work, which provide the reader with a concise socio-political history based on the interaction between literature and politics. ‘A Fire of Lilies’ will therefore make a significant contribution to the research on modern Persian literature as well as literary historiography.&#13;
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                <text>Shakespeare in Hate: Emotions, Passions, Selfhood</text>
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                <text>Hate, malice, rage, and enmity: what would Shakespeare’s plays be without these demonic, unruly passions? This book studies how the tirades and unrestrained villainy of Shakespeare’s art explode the decorum and safety of our sanitized lives and challenge the limits of our selfhood. Everyone knows Shakespeare to be the exemplary poet of love, but how many celebrate his clarifying expressions of hatred? How many of us do not at some time feel that we have come away from his plays transformed by hate and washed clean by savage indignation? Saval fills the great gap in the interpretation of Shakespeare’s unsocial feelings. The book asserts that emotions, as Aristotle claims in the Rhetoric, are connected to judgments. Under such a view, hatred and rage in Shakespeare cease to be a "blinding" of judgment or a loss of reason, but become claims upon the world that can be evaluated and interpreted. The literary criticism of anger and hate provides an alternative vision of the experience of Shakespeare’s theater as an intensification of human experience that takes us far beyond criticism’s traditional contexts of character, culture, and ethics. The volume, which is alive to the judgmental character of emotions, transforms the way we see the rancorous passions and the disorderly and disobedient demands of anger and hatred. Above all, it reminds us why Shakespeare is the exemplary creator of that rare yet pleasurable thing: a good hater.</text>
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