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                <text>This volume sheds light on the nexus between knowledge and literature. Arranged historically, contributions address both popular and canonical English and US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making</text>
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                <text>What is Literature? According to Alexander Gottlieb Baumgarten, Literature is perfect sensate discourse. Based on this insight Baumgarten offers the first modern theory of literature. His uniquely holistic approach encompasses a methodology, epistemology, metaphysics, narratology, and ethics</text>
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                <text>Eszter Szép’s Comics and the Body is the first book to examine the roles of the body in both drawing and reading comics within a single framework. With an explicit emphasis on the ethical dimensions of bodily vulnerability, Szép takes her place at the forefront of scholars examining comics as embodied experiences, pushing this line of inquiry into bold new territory. Focusing on graphic autobiography and reportage, she argues that the bodily performances of creators and readers produce a dialogue that requires both parties to experience and engage with vulnerability, thus presenting a crucial opportunity for ethical encounters between artist and reader. Szép considers visceral representations of bulimia, pregnancy, the effects of STIs, the catastrophic injuries of war, and more in the works of Lynda Barry, Ken Dahl, Katie Green, Miriam Katin, and Joe Sacco. She thus extends comics theory into ethical and psychological territory that finds powerful intersections and resonances with the studies of affect, trauma, gender, and reader response.</text>
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                <text>The Gothic Novel in Ireland, 1760-1830 reveals how the Irish contribution to the rise of the gothic novel is all too frequently overlooked. Irish writers were actively engaged in shaping the form now conventionally understood as beginning with Horace Walpole’s The Castle of Otranto (1764). Obviously an important text in the evolution of the gothic mode, the ostensibly pioneering Castle of Otranto was actually preceded by two Irish novels: Thomas Leland’s Longsword (1762) and The Adventures of Miss Sophia Berkley (1760), by ‘A Young Lady’. Neither of these texts overshadows Walpole’s, but their omission from the literary history of the British gothic novel is nevertheless a telling indication of the exclusionary nature of current scholarly perspectives. Christina Morin’s adroit and percipient text reveals how the Gothic was very much an international genre.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2020</text>
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            <name>Contributor</name>
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                <text>Wahyuni</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Textbooks</text>
              </elementText>
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            <description>An unambiguous reference to the resource within a given context</description>
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https://doi.org/10.4324/9781003017455</text>
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9781003017455</text>
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        <name>Literature</name>
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        <name>Literature: history &amp; criticism</name>
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  </item>
</itemContainer>
